Photo Shoot Ideas for Improving Outdoor Portraits

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Photo Shoot Ideas

Outdoor Portraits present portrait photographers a variety of challenges and opportunities. Today James Pickett from America the Lost suggests 13 photo shoot ideas to help you with your outdoor portrait work.

There are three very simple things that improve all photography, including portraits. To this day, there is no trick I have found that replaces the need for proper exposurewhite balance, and sharp focus. Today’s digital cameras have less exposure latitude than a roll of Kodak gold film. In-camera metering systems have become much more advanced, but the sensors still lack the seven ƒ-stop exposure latitude that negative film has.

photo shoot ideas Image by riot jane Image by riot jane

Photo Shoot Ideas: 1) Never select all of the focus points for portraits, pick one.

When you pick the autofocus option that allows the camera to select focus points, you are doing your portraits a terrible disservice. This feature of a camera is usually designed to pick whatever is closest to the lens and focus there. In some cases, like with my 1DS Mark III, the camera will choose a cluster of focus points and make a “best guess” based on averaging the distance between all of the chosen points. Using one focus point gives you, the photographer, ultimate control.

 

Photo Shoot Ideas: 2) Always focus on the eyes.

The eyes are the windows to the soul, and should be the focal point of any good portrait. Not only are the eyes the most important part of a good portrait, but they are the sharpest element on the face and should be left that way. When you are shooting with a wide aperture value focused on the eyes, the lens’s bokeh will aid in softening the skin as well.

Image by GeomangioImage by Geomangio

Photo Shoot Ideas: 3) Shoot wide open for shallow depth of field.

There are quite a few reasons to invest in a fast lens capable of wide aperture values; the most common is for shallow depth of field. Now that you can shoot at ƒ2.8 or ƒ4 you should use it. Most fantastic natural light portraits are from wide aperture values and it is all because of the wonderful smooth background blur we call “bokeh”.

Photo Shoot Ideas: 4) Never, ever, shoot a portrait at less than 50mm; try to stay at 70mm or higher.

The last thing you want to hear from a client is “Why does my head look swelled?” Any focal length below 70mm can distort your subject, however it doesn’t become very noticeable until you are below 50 MM. The compression effect of a telephoto lens will also increase the blur of bokeh. Most of my portraits are done between 120mm and 200mm.

Photo Shoot Ideas: 5) Always shoot in RAW.

Raw is an unmodified compilation of your sensors data during the time of exposure. It is your digital negative. When you shoot in JPG format, everything but what the image processor needs to make a shell representation of the image you intended to capture is stripped away. For every edit you make to a JPG, you lose more data. With RAW, you can make a vast range of edits before creating the JPG. How can this make you portrait better? Think about the last time your white balance was set incorrectly, and you tried for hours to remove the color cast only to destroy the image with every attempt. RAW would have saved you by allowing you to fix the color before opening the image for retouching.

Photo Shoot Ideas: 6) Always bring a gray card or a piece of a gray card for white balance.

You got me, gray cards aren’t free. However, $5.95 US for a cardboard Kodak gray card is darn close. To avoid confusion, I am going to explain this backwards. When opening Adobe Camera Raw or any other RAW image editing application there is always a way to select a custom white balance. Usually it is an eyedropper of some kind that you can use to click on what you think is neutral gray in your image. Imagine a world where your photo shoot involved 4 locations and a total of 800 images, and all day the camera was set to Auto White Balance. That is 800 different white balance values, a post production nightmare. If, at each location, you have your subject hold the gray card on the first shot, you will save hours of work. When you open location one (200 images) in your favorite post production application, all you have to do is click the eye dropper on the gray card, select all and synchronize the rest. Precious hours have been saved.

Photo Shoot Ideas: 7) Shoot in the shade (Avoid direct sunlight)

Direct sunlight is harsh, makes your subject squint, and creates hard directional shadows and unpredictable white balance conditions. When shooting in the shade, there are no more harsh shadows, only smooth milky shadows created by your subject’s natural features. With proper exposure and white balance, you can make these shots look amazing.

 

Photo Shoot Ideas: 9) If you must use hot, hard, bright light…

Always try to control the direction, use some kind of reflector, and try to mimic a studio light. Putting the sun directly behind your subject isn’t a good idea, unless you are trying to make a silhouette. When the sun is at my back, I have the subject look off camera (away from the sun) and get very nice results.

Image by Meredith FarmerImage by Meredith Farmer

Photo Shoot Ideas: 10) Use an existing reflector.

For example, my guess is that about 75% of the delivery trucks on the planet are white. These big white delivery trucks can make amazing fill light reflectors as long as they weren’t painted with an off white. (A yellow tint can change the white balance in your shadows.) Picture framing outlets and craft stores always have medium to large sized pieces of foam core lying around that have been left for scrap.

Photo Shoot Ideas: 11) Learn the sunny ƒ16 rule.

Why? So you have a baseline for proper exposure in your mind to work with if no other tools are present. The sunny ƒ16 rule states that on a sunny day, with your aperture value set to ƒ16, your shutter speed will be the inverse of the current ISO speed. For example, if your camera is set to ISO 100, and your aperture value is ƒ16, your shutter speed will be 1/100th of a second. On a cloudy day (or when in the shade) you simply use ƒ8 instead. If you own either an incident light meter, or gray card use either for the most accurate exposure instead. (Note: the procedure for metering exposure with a gray card is not the same as a custom white balance.)

Photo Shoot Ideas: 12) Bring a sheet and a few spring clamps from home.

You know that cheap old sheet you stuck in the corner of a closet to use as a drop cloth the next time you paint? Go get it. A queen size sheet is an amazing, cheap, diffuser. Sort of a sever foot soft box for the sun. Wrap an edge of the sheet around a branch or clothes line and clamp for a side light. (Anchor the bottom corners with rocks to keep it from blowing into your image.) Clamp all for corners to anything you can above your subject for an overhead light.

Photo Shoot Ideas: 13) Keep the power-lines and signs out!

Keep your mind focused on the image as a whole. Power lines, signs, long single blades of grass, single pieces of garbage, sometimes even trees can be serious distractions from the overall focus of the image… The person you are photographing. The best photo shoot ideas are remembering to focus on your subject.

A few Bonus Photo Shoot Ideas on Cloudy Days

Clouds are wonderful. They create a giant blanket of natural sunlight diffusion to make your images rich and powerful. The clouds can fool your mind in ways you can’t imagine, much like your mind corrects for the natural white balance throughout the day.

When you looking for photo shoot ideas on an overcast day, custom white balance is especially important.

Pollution changes the color of the light from minute to minute even if your eyes don’t see it, your camera does. On a cloudy day, pollution particles are being carried around in the sky by little tiny prisms; water droplets.

The ultimate secret to shooting on a cloudy day is a compass. I am an experienced, internationally published photographer, and rarely can I see where the sun is coming from on an overcast day. The light isn’t omnipresent; it’s just diffused, softened and scattered. Sunlight on a cloudy day is still directional, and your subject still has a dark side. Use a compass to find out where the sun is, put it at your back and shoot like mad.


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